I highly recommend listening to the full orchestral original. Here’s a link that shows the score as it plays: (We hear the violin solo+harp chords “Scheherazade” theme for the first time at 0:52 )
Hope you enjoy! Thanks to one of my patrons for the suggestion – I wasn’t aware of this arrangement and it’s beautiful and a lot of fun to play 🙂 You, too, can become my patron and support Harp Tuesday at https://www.patreon.com/joshlayne
I’m home from my fall 2018 European tour and ready to get back into recording Harp Tuesday episodes! Here’s a look at a short section from Debussy’s 1st Arabesque that features two different places where you have to be very careful to avoid buzzing!
Hans Trneček’s transcription of Smetana’s “The Moldau” is one of my absolute favourite pieces to play. In this episode I look at the last 3 lines and talk about problem solving and how sometimes we can come up with a better way to play something!
I fell in love with this song many years ago listening to a Zabaleta recording. Couldn’t find the sheet music at the time, but was thrilled to finally track it down a few years ago online at the harp archives
Labarre’s “Caprice” (as recorded by Zabaleta) is No. 7 from his “Grande étude pour la harpe : composée de huit caprices : op. 30”
In this episode I take a look at Carlos Salzedo’s “Seguidilla” from his suite of eight dances. I give some tips on it in general, and then talk about playing fast and offer some ideas and ways to work on speed.
I also made a version of this episode which shows the sheet music onscreen as I talk about it, though the video quality is worse overall. You can watch it below:
In this first episode I take a look at a beautiful piece called Alfonso XII el Sabio (13th century Spain) from Kim Robertson’s sheet music book “Celtic Harp Solos . (I wonder if in fact it’s music associated with Alfonso X el Sabio).
“Pistache” (Pistachio) is one of a collection of pieces by Bernard Andres called “Epices” (Spices) where every pieces is based on a spice (Paprika, Cinnamon, Vanilla, etc.)
Pistache is probably my favourite from book one of the collection, and in this episode I take a look at it. Pistache has a bunch of cool effect/extended techniques, some fun rhythm stuff, and is just overall a blast to play 🙂
A two part look at Canadian composer Marjan Mozetich’s beautiful harp solo “Songs of Nymphs“. Written for Erica Goodman in 1988 with the assistance of the Ontario Arts Council, Songs of Nymphs is made up of four songs, or movements:
“I feel different” is one of my favourite compositions by Dutch harpist/composer Anne Vanschothorst. It felt like a great subject for my return to Harp Tuesday after a long break due to my European trip, etc.
Feels great to be back, and on almost exactly the five year anniversary of the very first Harp Tuesday episode!
Hope you enjoy – I’ll be doing a couple follow up Slow Motion Monday videos from this piece – look for that next week.
In this special edition of Harp Tuesday from the Zagreb Harp Centre in Croatia (http://zagrebharpfestival.com) I take a look at the “Rondo” from Bochsa’s “Air and Rondo” – the first piece in Samuel Milligan’s “Medieval to Modern volume 2”.
In this special edition of Harp Tuesday from the Zagreb Harp Centre in Croatia (http://zagrebharpfestival.com) I take a look at the “Air” from Bochsa’s “Air and Rondo” – the first piece in Samuel Milligan’s “Medieval to Modern volume 2”.
In these episodes of Harp Tuesday I look at a piece that I learned as “Variations sur un theme de Mozart”, playable on the Celtic harp and edited by Odette le Dentu. However, it turns out it may have nothing to do with Mozart! Thanks to a youtube comment I found the original on IMSLP – it’s the first of 4 Airs and variations by French composer Martin Dalvimare.
November 29, 2010 – Episode 1 – An in-depth look at Benjamin Britten’s Ceremony of Carols. The first ever Harp Tuesday! I ended up re-uploading this after adjusting the audio levels – I’ve linked to that version, but you can still find the original on my YouTube channel.